SlideShare a Scribd company logo
1 of 2
AP Studio Portfolios
Concentration Ideas

Homework Assignment: Compose three complex concentration statements that explore art techniques,
personal concepts, and principles of design you are interested in exploring for a concentration for this
course.

Example Concentration Statement: In my concentration series, I will explore combining figure drawing
with mixed media collage. In each piece, I will use expressive color for the figure that will be repeated in
the mixed media collage. The relationship between the foreground and background will be expressed
through color and repeating design motifs.

Ideas for 3D Concentrations:
   • A series exploring cultural intersections
   • A series about ritual and self-portraits
   • A series about weaving with nontraditional and traditional materials that evolve into
     objects
   • A series of animal- or plant-inspired forms that evolve into formal objects
   • A series of wire figures in various environments
   • A series about changing the function of common objects
   • A series exploring rhythm and movement with common materials
   • A series giving human qualities to common objects
   • A series using elements of the urban landscape as a basis for three-dimensional
     design
   • A series of abstractions from natural objects
   • A series using multiples to create formal three-dimensional design
   • A series of personal icons
   • A series of enlarged common objects constructed from unusual materials
   • A series of interpretive busts or figure studies that emphasize expression and/or
     abstraction
   • A series of architectural models for homes, public buildings, or monuments
   • A series of assemblages that juxtapose the coarse and refined qualities of a material
   • A series of multiples/modules to create compositions that reflect psychological or
     narrative events
   • A series of sculptures that explore the relationship between interior and exterior
     space
   • A series of personal or family history communicated through the content and style of
     narrative assemblage
   • A series of figures exploring aspects of self
   • A series of sculptures and installation pieces centered around cultural views of
     women and their bodies
   • A series of sculptures reinterpreting themes and deities from world religions
   • A series of self-portrait busts
   • A series of welded metal sculptures that investigate formal design elements

Ideas for 2D & Drawing Concentrations:
   • A series of interiors simplified to contour lines that served as the basis for a process of
     investigation of other elements, most predominately color and space (the assertion and negation
     of space).
   • A series of works done with encaustic, printmaking, and a variety of other media, concerned with
     different approaches to the picture plane as discussed in the text Drawing: A Contemporary
Approach (Claudia Betti and Teel Sale 2004, Wadsworth).
•   A series of works done in 2D and low relief as a response to the work of Jim Dine. The student
    investigated a tool (hammer) in a body of work done in a variety of media, with a variety of
    techniques as well as processes. Investigation combined interest in imagery developed from
    direct observation as well as engaged in issues of formal design.
•   A photographic and illustrative investigation into the subject “My Little Brother.” The student
    produced a number of photographs that were strong in composition as well as technical
    (processing) ability. He furthered his investigation into the specific subject by producing a series
    of illustrations showing his brother engaged in various pursuits.
•   A series of works based on the subject “Skateboards.” The student began painting random
    pictures of (cartoonish) characters on broken/discarded skateboards—two were brought in as
    summer assignment work. I encouraged the student to pursue the idea, but to paint images that
    were more relevant to the idea of “skateboard” or his experiences as a skateboarder.
•   A series of works from a student’s visual journal. Sophisticated in terms of development, the book
    included text, personal photographs, collage items—ticket stubs, product labels, fortunes (fortune
    cookies), netting, bubble wrap. Student enhanced the compositions with intimate illustrations,
    many figurative and/or based on human anatomy.
•   A series of black-and-white photos that showed strong evidence of investigation into a number of
    design elements and principles. Examples included works showing repeating shapes/patterns,
    geometric division of space, and balance.
•   A series of photos related by subject—such as portraits, self-portraits, landscapes, architectural
    details, a family history.
•   A series of mixed media pieces based on childhood memories using collaged and layered
    imagery that incorporated text.
•   A series of illustrations based on the “Seven Deadly Sins.”
•   A series of work based on the life of the graffiti artist.
•   A digital self-portrait series that incorporate digital photos with text.
•   A digital series that juxtaposed incongruent imagery—based on Surrealism and the work of
    photographer Jerry Ulseman.
•   A series of invitations, program covers, and poster designs created with Adobe PhotoShop.
•   Exploration of pattern and designs found in nature and/or culture.
•   Abstractions developed from cells and other microscopic images.
•   A personal or family history communicated through symbols or imagery.
•   A series of fabric designs, apparel designs, or weavings on a theme.
•   A series of works based on the subject “Skateboards.” The student began painting random
    pictures of (cartoonish) characters on broken/discarded skateboards. Paint images that are more
    relevant to the idea of “skateboard” or experiences as a skateboarder.
•   Series of landscapes that use color and composition to intensify artistic expression.
•   A series of works done in graphite, colored pencil, and Adobe PhotoShop illustrating aspects of
    the subject “Roller Coaster.” The investigation increasingly moved away from illustrative
    renderings to bold, graphic symbols.

More Related Content

What's hot

Arh2050 sm2021 research project instructions
Arh2050 sm2021 research project instructionsArh2050 sm2021 research project instructions
Arh2050 sm2021 research project instructionsProfWillAdams
 
Lecture, 1965-69
Lecture, 1965-69Lecture, 1965-69
Lecture, 1965-69Laura Smith
 
Chapter4 deriving meaning inet
Chapter4 deriving meaning inetChapter4 deriving meaning inet
Chapter4 deriving meaning inetprofmedina
 
How do you research art part 2
How do you research art part 2How do you research art part 2
How do you research art part 2charlottefrost
 
How do you research art
How do you research artHow do you research art
How do you research artcharlottefrost
 
Andries Botha slides
Andries Botha slidesAndries Botha slides
Andries Botha slidesNeith Moore
 
Cumulating project
Cumulating projectCumulating project
Cumulating projectklorei71
 
The evo of abstraction
The evo of abstractionThe evo of abstraction
The evo of abstractionprofmedina
 
Yr 11 collections graphical piece
Yr 11 collections graphical pieceYr 11 collections graphical piece
Yr 11 collections graphical piecemissfcmay
 
Unit 2 - Notes on Portraiture
Unit 2 - Notes on PortraitureUnit 2 - Notes on Portraiture
Unit 2 - Notes on PortraitureMrLawler
 
UNIT 1 Studio Art- Interpreting art ideas and intro
UNIT 1 Studio Art- Interpreting art ideas and introUNIT 1 Studio Art- Interpreting art ideas and intro
UNIT 1 Studio Art- Interpreting art ideas and introSamCaddey
 
Yr 10 gcse graphics letter design
Yr 10 gcse graphics letter designYr 10 gcse graphics letter design
Yr 10 gcse graphics letter designmissfcmay
 
STUDIO ART: Subject matter, style & aesthetic qualities
STUDIO ART: Subject matter, style & aesthetic qualities STUDIO ART: Subject matter, style & aesthetic qualities
STUDIO ART: Subject matter, style & aesthetic qualities BreanaBoutillier1
 
Sol Lewitt: A synopsis
Sol Lewitt: A synopsisSol Lewitt: A synopsis
Sol Lewitt: A synopsisnickpericle
 

What's hot (20)

Arh2050 sm2021 research project instructions
Arh2050 sm2021 research project instructionsArh2050 sm2021 research project instructions
Arh2050 sm2021 research project instructions
 
Op art cube 6th
Op art cube 6thOp art cube 6th
Op art cube 6th
 
Lecture, 1965-69
Lecture, 1965-69Lecture, 1965-69
Lecture, 1965-69
 
Chapter4 deriving meaning inet
Chapter4 deriving meaning inetChapter4 deriving meaning inet
Chapter4 deriving meaning inet
 
How do you research art part 2
How do you research art part 2How do you research art part 2
How do you research art part 2
 
How do you research art
How do you research artHow do you research art
How do you research art
 
Andries Botha slides
Andries Botha slidesAndries Botha slides
Andries Botha slides
 
Cumulating project
Cumulating projectCumulating project
Cumulating project
 
The evo of abstraction
The evo of abstractionThe evo of abstraction
The evo of abstraction
 
Yr 11 collections graphical piece
Yr 11 collections graphical pieceYr 11 collections graphical piece
Yr 11 collections graphical piece
 
Unit 2 - Notes on Portraiture
Unit 2 - Notes on PortraitureUnit 2 - Notes on Portraiture
Unit 2 - Notes on Portraiture
 
Personal project 12102015
Personal project 12102015Personal project 12102015
Personal project 12102015
 
Personal project 09112015
Personal project 09112015Personal project 09112015
Personal project 09112015
 
Op Art
Op ArtOp Art
Op Art
 
Introtothemes
IntrotothemesIntrotothemes
Introtothemes
 
Op art intro
Op art introOp art intro
Op art intro
 
UNIT 1 Studio Art- Interpreting art ideas and intro
UNIT 1 Studio Art- Interpreting art ideas and introUNIT 1 Studio Art- Interpreting art ideas and intro
UNIT 1 Studio Art- Interpreting art ideas and intro
 
Yr 10 gcse graphics letter design
Yr 10 gcse graphics letter designYr 10 gcse graphics letter design
Yr 10 gcse graphics letter design
 
STUDIO ART: Subject matter, style & aesthetic qualities
STUDIO ART: Subject matter, style & aesthetic qualities STUDIO ART: Subject matter, style & aesthetic qualities
STUDIO ART: Subject matter, style & aesthetic qualities
 
Sol Lewitt: A synopsis
Sol Lewitt: A synopsisSol Lewitt: A synopsis
Sol Lewitt: A synopsis
 

Similar to 10 concentration ideas all portfolios

Integrating Art History Presentation
Integrating Art History PresentationIntegrating Art History Presentation
Integrating Art History Presentationkguyotte
 
Montage and collage
Montage and collage Montage and collage
Montage and collage Ambreen Sadaf
 
Fate short tales lesson details
Fate short tales lesson detailsFate short tales lesson details
Fate short tales lesson detailsLori Kent
 
1 Islamic Art History Guideline The 4-part analys
 1 Islamic Art History Guideline The 4-part analys 1 Islamic Art History Guideline The 4-part analys
1 Islamic Art History Guideline The 4-part analysMargaritoWhitt221
 
What Is Performance Scheme Of Work-Year 5/Year 6
What Is Performance Scheme Of Work-Year 5/Year 6What Is Performance Scheme Of Work-Year 5/Year 6
What Is Performance Scheme Of Work-Year 5/Year 6Anne
 
Developing ICC through Image Model
Developing ICC through Image ModelDeveloping ICC through Image Model
Developing ICC through Image ModelChinese Teachers
 
Past present and or future 2016
Past present and or future 2016Past present and or future 2016
Past present and or future 2016Gibson7
 
Aed mini lesson
Aed mini lessonAed mini lesson
Aed mini lessonbav5048
 
Art Scheme Of Work Masks Year 7
Art Scheme Of Work Masks Year 7  Art Scheme Of Work Masks Year 7
Art Scheme Of Work Masks Year 7 Anne
 
Art Scheme of Work Masks Year 7 (2)
Art Scheme of Work Masks Year 7 (2)Art Scheme of Work Masks Year 7 (2)
Art Scheme of Work Masks Year 7 (2)Anne
 
Introduction to Writing About Art - Analytic
Introduction to Writing About Art - AnalyticIntroduction to Writing About Art - Analytic
Introduction to Writing About Art - AnalyticChristine Ege
 
DESCRIPTION APPLIED OF CONTEMPORARY ART.pptx
DESCRIPTION APPLIED OF CONTEMPORARY ART.pptxDESCRIPTION APPLIED OF CONTEMPORARY ART.pptx
DESCRIPTION APPLIED OF CONTEMPORARY ART.pptxKentPeterCuadrado
 
9071 30792 - nicole howell - mar 18, 2015 437 pm - ed612 9.2-a_nah
9071 30792 - nicole howell - mar 18, 2015 437 pm - ed612 9.2-a_nah9071 30792 - nicole howell - mar 18, 2015 437 pm - ed612 9.2-a_nah
9071 30792 - nicole howell - mar 18, 2015 437 pm - ed612 9.2-a_nahmmunkatchy
 
Self Portrait Scheme Of Work-Year 1/Year 2
Self Portrait Scheme Of Work-Year 1/Year 2Self Portrait Scheme Of Work-Year 1/Year 2
Self Portrait Scheme Of Work-Year 1/Year 2Anne
 
Equivalents project summary Powerpoint
Equivalents project summary PowerpointEquivalents project summary Powerpoint
Equivalents project summary PowerpointIsobel2559
 
Can We Change Places Scheme Of Work-Year 3 And Year 4
Can We Change Places Scheme Of Work-Year 3 And Year 4Can We Change Places Scheme Of Work-Year 3 And Year 4
Can We Change Places Scheme Of Work-Year 3 And Year 4Anne
 

Similar to 10 concentration ideas all portfolios (20)

Integrating Art History Presentation
Integrating Art History PresentationIntegrating Art History Presentation
Integrating Art History Presentation
 
Icons
IconsIcons
Icons
 
Montage and collage
Montage and collage Montage and collage
Montage and collage
 
Fate short tales lesson details
Fate short tales lesson detailsFate short tales lesson details
Fate short tales lesson details
 
1 Islamic Art History Guideline The 4-part analys
 1 Islamic Art History Guideline The 4-part analys 1 Islamic Art History Guideline The 4-part analys
1 Islamic Art History Guideline The 4-part analys
 
What Is Performance Scheme Of Work-Year 5/Year 6
What Is Performance Scheme Of Work-Year 5/Year 6What Is Performance Scheme Of Work-Year 5/Year 6
What Is Performance Scheme Of Work-Year 5/Year 6
 
Architectural sculpture
Architectural sculptureArchitectural sculpture
Architectural sculpture
 
What is Sculpture?
What is Sculpture? What is Sculpture?
What is Sculpture?
 
Developing ICC through Image Model
Developing ICC through Image ModelDeveloping ICC through Image Model
Developing ICC through Image Model
 
Past present and or future 2016
Past present and or future 2016Past present and or future 2016
Past present and or future 2016
 
Aed mini lesson
Aed mini lessonAed mini lesson
Aed mini lesson
 
Art Scheme Of Work Masks Year 7
Art Scheme Of Work Masks Year 7  Art Scheme Of Work Masks Year 7
Art Scheme Of Work Masks Year 7
 
Art Scheme of Work Masks Year 7 (2)
Art Scheme of Work Masks Year 7 (2)Art Scheme of Work Masks Year 7 (2)
Art Scheme of Work Masks Year 7 (2)
 
Introduction to Writing About Art - Analytic
Introduction to Writing About Art - AnalyticIntroduction to Writing About Art - Analytic
Introduction to Writing About Art - Analytic
 
DESCRIPTION APPLIED OF CONTEMPORARY ART.pptx
DESCRIPTION APPLIED OF CONTEMPORARY ART.pptxDESCRIPTION APPLIED OF CONTEMPORARY ART.pptx
DESCRIPTION APPLIED OF CONTEMPORARY ART.pptx
 
Chapter4
Chapter4Chapter4
Chapter4
 
9071 30792 - nicole howell - mar 18, 2015 437 pm - ed612 9.2-a_nah
9071 30792 - nicole howell - mar 18, 2015 437 pm - ed612 9.2-a_nah9071 30792 - nicole howell - mar 18, 2015 437 pm - ed612 9.2-a_nah
9071 30792 - nicole howell - mar 18, 2015 437 pm - ed612 9.2-a_nah
 
Self Portrait Scheme Of Work-Year 1/Year 2
Self Portrait Scheme Of Work-Year 1/Year 2Self Portrait Scheme Of Work-Year 1/Year 2
Self Portrait Scheme Of Work-Year 1/Year 2
 
Equivalents project summary Powerpoint
Equivalents project summary PowerpointEquivalents project summary Powerpoint
Equivalents project summary Powerpoint
 
Can We Change Places Scheme Of Work-Year 3 And Year 4
Can We Change Places Scheme Of Work-Year 3 And Year 4Can We Change Places Scheme Of Work-Year 3 And Year 4
Can We Change Places Scheme Of Work-Year 3 And Year 4
 

More from Riverwood HS

2013 open house presentation
2013 open house presentation2013 open house presentation
2013 open house presentationRiverwood HS
 
Elements of art 2013
Elements of art 2013Elements of art 2013
Elements of art 2013Riverwood HS
 
13 expressive self-portrait techniques
13 expressive self-portrait techniques13 expressive self-portrait techniques
13 expressive self-portrait techniquesRiverwood HS
 
Expressive self portraits
Expressive self portraitsExpressive self portraits
Expressive self portraitsRiverwood HS
 
Self portrait-nose structure
Self portrait-nose structureSelf portrait-nose structure
Self portrait-nose structureRiverwood HS
 
Self portrait-mouth structure
Self portrait-mouth structureSelf portrait-mouth structure
Self portrait-mouth structureRiverwood HS
 
Self portrait-eye structure
Self portrait-eye structureSelf portrait-eye structure
Self portrait-eye structureRiverwood HS
 
11 dp-special object journal assignment
11 dp-special object journal assignment11 dp-special object journal assignment
11 dp-special object journal assignmentRiverwood HS
 
Introduction to Drawing
Introduction to DrawingIntroduction to Drawing
Introduction to DrawingRiverwood HS
 
Introduction to Aesthetics
Introduction to AestheticsIntroduction to Aesthetics
Introduction to AestheticsRiverwood HS
 
Ap concentrations 2d dr-2010-11
Ap concentrations 2d dr-2010-11Ap concentrations 2d dr-2010-11
Ap concentrations 2d dr-2010-11Riverwood HS
 
Graphite reduction
Graphite reductionGraphite reduction
Graphite reductionRiverwood HS
 
Graphite reduction
Graphite reductionGraphite reduction
Graphite reductionRiverwood HS
 
Día de los muertos ppt
Día de los muertos pptDía de los muertos ppt
Día de los muertos pptRiverwood HS
 
Intro. ceramics powerpoint-2012
Intro. ceramics powerpoint-2012Intro. ceramics powerpoint-2012
Intro. ceramics powerpoint-2012Riverwood HS
 
White on white painting
White on white paintingWhite on white painting
White on white paintingRiverwood HS
 
Composition and pen techniques
Composition and pen techniquesComposition and pen techniques
Composition and pen techniquesRiverwood HS
 
Shape compositions
Shape compositionsShape compositions
Shape compositionsRiverwood HS
 
Principles of art 2011
Principles of art 2011Principles of art 2011
Principles of art 2011Riverwood HS
 

More from Riverwood HS (20)

2013 open house presentation
2013 open house presentation2013 open house presentation
2013 open house presentation
 
Elements of art 2013
Elements of art 2013Elements of art 2013
Elements of art 2013
 
13 expressive self-portrait techniques
13 expressive self-portrait techniques13 expressive self-portrait techniques
13 expressive self-portrait techniques
 
Expressive self portraits
Expressive self portraitsExpressive self portraits
Expressive self portraits
 
Self portrait-nose structure
Self portrait-nose structureSelf portrait-nose structure
Self portrait-nose structure
 
Self portrait-mouth structure
Self portrait-mouth structureSelf portrait-mouth structure
Self portrait-mouth structure
 
Self portrait-eye structure
Self portrait-eye structureSelf portrait-eye structure
Self portrait-eye structure
 
11 dp-special object journal assignment
11 dp-special object journal assignment11 dp-special object journal assignment
11 dp-special object journal assignment
 
Introduction to Drawing
Introduction to DrawingIntroduction to Drawing
Introduction to Drawing
 
Introduction to Aesthetics
Introduction to AestheticsIntroduction to Aesthetics
Introduction to Aesthetics
 
Painters at work
Painters at workPainters at work
Painters at work
 
Ap concentrations 2d dr-2010-11
Ap concentrations 2d dr-2010-11Ap concentrations 2d dr-2010-11
Ap concentrations 2d dr-2010-11
 
Graphite reduction
Graphite reductionGraphite reduction
Graphite reduction
 
Graphite reduction
Graphite reductionGraphite reduction
Graphite reduction
 
Día de los muertos ppt
Día de los muertos pptDía de los muertos ppt
Día de los muertos ppt
 
Intro. ceramics powerpoint-2012
Intro. ceramics powerpoint-2012Intro. ceramics powerpoint-2012
Intro. ceramics powerpoint-2012
 
White on white painting
White on white paintingWhite on white painting
White on white painting
 
Composition and pen techniques
Composition and pen techniquesComposition and pen techniques
Composition and pen techniques
 
Shape compositions
Shape compositionsShape compositions
Shape compositions
 
Principles of art 2011
Principles of art 2011Principles of art 2011
Principles of art 2011
 

10 concentration ideas all portfolios

  • 1. AP Studio Portfolios Concentration Ideas Homework Assignment: Compose three complex concentration statements that explore art techniques, personal concepts, and principles of design you are interested in exploring for a concentration for this course. Example Concentration Statement: In my concentration series, I will explore combining figure drawing with mixed media collage. In each piece, I will use expressive color for the figure that will be repeated in the mixed media collage. The relationship between the foreground and background will be expressed through color and repeating design motifs. Ideas for 3D Concentrations: • A series exploring cultural intersections • A series about ritual and self-portraits • A series about weaving with nontraditional and traditional materials that evolve into objects • A series of animal- or plant-inspired forms that evolve into formal objects • A series of wire figures in various environments • A series about changing the function of common objects • A series exploring rhythm and movement with common materials • A series giving human qualities to common objects • A series using elements of the urban landscape as a basis for three-dimensional design • A series of abstractions from natural objects • A series using multiples to create formal three-dimensional design • A series of personal icons • A series of enlarged common objects constructed from unusual materials • A series of interpretive busts or figure studies that emphasize expression and/or abstraction • A series of architectural models for homes, public buildings, or monuments • A series of assemblages that juxtapose the coarse and refined qualities of a material • A series of multiples/modules to create compositions that reflect psychological or narrative events • A series of sculptures that explore the relationship between interior and exterior space • A series of personal or family history communicated through the content and style of narrative assemblage • A series of figures exploring aspects of self • A series of sculptures and installation pieces centered around cultural views of women and their bodies • A series of sculptures reinterpreting themes and deities from world religions • A series of self-portrait busts • A series of welded metal sculptures that investigate formal design elements Ideas for 2D & Drawing Concentrations: • A series of interiors simplified to contour lines that served as the basis for a process of investigation of other elements, most predominately color and space (the assertion and negation of space). • A series of works done with encaustic, printmaking, and a variety of other media, concerned with different approaches to the picture plane as discussed in the text Drawing: A Contemporary
  • 2. Approach (Claudia Betti and Teel Sale 2004, Wadsworth). • A series of works done in 2D and low relief as a response to the work of Jim Dine. The student investigated a tool (hammer) in a body of work done in a variety of media, with a variety of techniques as well as processes. Investigation combined interest in imagery developed from direct observation as well as engaged in issues of formal design. • A photographic and illustrative investigation into the subject “My Little Brother.” The student produced a number of photographs that were strong in composition as well as technical (processing) ability. He furthered his investigation into the specific subject by producing a series of illustrations showing his brother engaged in various pursuits. • A series of works based on the subject “Skateboards.” The student began painting random pictures of (cartoonish) characters on broken/discarded skateboards—two were brought in as summer assignment work. I encouraged the student to pursue the idea, but to paint images that were more relevant to the idea of “skateboard” or his experiences as a skateboarder. • A series of works from a student’s visual journal. Sophisticated in terms of development, the book included text, personal photographs, collage items—ticket stubs, product labels, fortunes (fortune cookies), netting, bubble wrap. Student enhanced the compositions with intimate illustrations, many figurative and/or based on human anatomy. • A series of black-and-white photos that showed strong evidence of investigation into a number of design elements and principles. Examples included works showing repeating shapes/patterns, geometric division of space, and balance. • A series of photos related by subject—such as portraits, self-portraits, landscapes, architectural details, a family history. • A series of mixed media pieces based on childhood memories using collaged and layered imagery that incorporated text. • A series of illustrations based on the “Seven Deadly Sins.” • A series of work based on the life of the graffiti artist. • A digital self-portrait series that incorporate digital photos with text. • A digital series that juxtaposed incongruent imagery—based on Surrealism and the work of photographer Jerry Ulseman. • A series of invitations, program covers, and poster designs created with Adobe PhotoShop. • Exploration of pattern and designs found in nature and/or culture. • Abstractions developed from cells and other microscopic images. • A personal or family history communicated through symbols or imagery. • A series of fabric designs, apparel designs, or weavings on a theme. • A series of works based on the subject “Skateboards.” The student began painting random pictures of (cartoonish) characters on broken/discarded skateboards. Paint images that are more relevant to the idea of “skateboard” or experiences as a skateboarder. • Series of landscapes that use color and composition to intensify artistic expression. • A series of works done in graphite, colored pencil, and Adobe PhotoShop illustrating aspects of the subject “Roller Coaster.” The investigation increasingly moved away from illustrative renderings to bold, graphic symbols.